Amy's Choice (Doctor Who) - Wikipedia
Amy's Choice saw the Doctor visit Amy and Rory after five years away and The revelation at the end that the dream was caused by psychic dust was and Amy's relationship with Rory feel more real than has been the case. Amy and Rory start season 7 with a divorce, and by the end of the first Maybe it's just me, but this seems like a better choice than: "I can't have. “He doesn't want to” is certainly one answer, and one that Amy's Choice gestures .. And at the end of that story we learn that she and River share a relationship.
You go out to dinner less, see fewer movies, your social life is curtailed and revolves, as it should, around your significant other. In short, life hands you a mini van. While marriage makes for an okay story, there is less drama in a healthy marriage than in a single relationship. For one thing, it forces a reevaluation of what it means that Amy is no longer a little girl.
And, of course, this is at the heart of why marriage and childhood adventure are instinctively opposed. A married person is sexually active, and thus no longer allowed to have childish adventures.
But this is Steven Moffat, who wrote his first Doctor Who story as a rousing defense of sexual freedom. The idea that he was ever going to declare, to any extent, that being sexually active meant you were no longer worthy of adventures, thereby pulling some good old-fashioned Problem of Susan bullshit, was always ridiculous. But, of course, the story is about more than just sexuality.
The real issue here is that Amy is led to try to choose between a normal adult life and life on the TARDIS, with the clear implication and point being that a normal life where you get married and have kids is incompatible with going on adventures. By rejecting the existence of that choice, Moffat is flying in the face of an entire logic that growing up in a practical sense means that you can no longer tell a certain type of story.
This returns to one of the basic moral themes of the Moffat era - that the solution to being trapped in a bad story is to tell a different one. This point works in two different ways.
The truism that people get more conservative as they get older is an oft-declared one, and more broadly, the idea that growing up is akin to growing banal and boring is a fundamental part of the culture.
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Indeed, this is part and parcel of reproductive futurism. Growing up and being a responsible citizen, in other words, means abandoning childhood and consciously becoming a less valuable person.
The message that growing up in a practical sense of falling in love and getting married does not mean the abandonment of the fairy tale is a real and important one. One might fairly ask why anyone would assume that marrying Rory precludes going on adventures. Indeed, this quickly becomes one of the most fundamental aspects of Rory as a character: His wife has a weird second life as an adventure heroine, and he embraces that because he loves her.
But, of course, Moffat rejects those logics actively and consciously. That, in other words, the choice exists in the first place.Top 10 Jake & Amy Moments on Brooklyn Nine-Nine
But from a storytelling perspective, not falling into that choice really is as simple as just writing something else. The suggestion that marriage marks the end of being able to be the subject of interesting stories is morally abhorrent, yes. But the way to combat it is to simply tell a different sort of story.
At the start the audience assumes that the TARDIS dream must be real, as it follows with seeming continuity from the end of The Vampires of Venice, whereas the Leadworth dream puts all of the characters in wildly different places in a way that would be narratively jarring.
I was rather taken with the way the Doctor casually threw the fact the Dream Lord was him into the conversation.
[Discussion](Spoilers) Thought About Amy & Rory's Relationship and Season 7 : doctorwho
After all, what he was brushing over was the fact that he could very easily become the arrogant and dangerous Time Lord Victorious, and that option is always there.
How tempting must that nagging, dark voice be when he ends up talking to himself, and how many times has the Doctor turned away from that mocking reflection? It goes something like this and may prove to be bollocks, but here goes — why were there only two dreams?
Just a choice between the Doctor and Rory and their competing imaginary realities? My theory is there were only two as Amy — the girl who met the Doctor in the middle of the night, then woke up in bed and went away with him in her nightie, then rubbed dust from her eye — is already living her own dream.
Like he says, years old, lots to go on.
As he is the Doctor, is another version of him sneaking around behind the scenes, for reasons yet to be revealed? Maybe trying to free Amy from her dream state?
A load of fan-wank rubbish? The ramblings of a madman?
The Chris Chibnall two-parter.