Hamlet is fascinated by death throughout the play. His almost morbid obsession with the idea is revealed when asked by Claudius where he has hidden Polonius' Your fat king and your lean beggar is but variable service – two dishes, but to one table. Hamlet - Character Analysis and Relationships. Hamlet has been one of my favorite plays we have read this Hamlet as a character is fascinated with difficult questions that are in his mind After Hamlet meets the ghost of his father he becomes obsessed with the i.e Laertes' vengeance was quickly changed by Claudius and ended in his own death. I think one of the reasons that the struggle is fascinating is because Claudius I think the relationship between Hamlet and Claudius is interesting because of.
Hamlet’s Character | Shakespeare I
Both of these seem more intrusive than helpful especially the spray paint, which stays on the wall for the rest of the play. Where Cole succeeds brilliantly is in smaller moments: Because we see how much the siblings care for each other, the scene in which Laertes leaps into her grave becomes even more powerful. Cole may well have created this bond better than I can ever recall seeing it before. Unfortunately, he also makes several decisions that seem gratuitous or at least adverse to his intentions.
His playful conceit of having their father Polonius Robert Cornelius piggy-back his late teenage daughter is a nice idea, but it seems very artificial, even a tad creepy.
Claudius and the Condition of Denmark
Intrusive side scene elements pull our attention several times: Gertrude Shanesia Davis freshening herself in her room, Hamlet watching videos of himself as a baby, etc. Each of these is clearly intended as a commentary and extension of the scene that is playing out, but they are more distracting than helpful though one, involving Ophelia, works very well.
In addition, the lighting and sound become very aggressive at times: Claire Chrzan and Michelle E. Of course, ultimately Hamlet is about the acting, and here Cole has assembled an ensemble of actors who know what they are doing. It starts in his earliest scenes. It is a brave and powerful performance. Shakespeare never does give us a clue as to why she would do that.
Cole creates moments, though, that suggest the couple has already forged a bond as they share laughter and serious silent discussion with each other during key scenes. As her son apparently loses his mind, though, Gertrude too devolves into darkness, At one point Cole has her literally crawl across the stage—perhaps a step over the line, but certainly indicative of someone who is losing control of her life.
The very real agony and heartbreak she feels about her son is clear in her every move and line.Hamlet - Summary
Other actors are just as strong. Fenner and Walker make a perfect Laertes and Ophelia. His brief scenes with his father before he goes off to school show the kind of relationship that will make him swear vengeance later on.
Hannah Toriumi and Martel Manning have a blast as Rosencranz and Guildenstern, though the decision to have these two erstwhile friends of Hamlet also be the Players gets very confusing: Claudius himself is fully cognizant of the state of affairs, and from his lips we get the true explanation.
He discloses the fact that young Fortinbras has no such wholesome fear and respect for him as he had for the late king, and makes the damaging admission that: Importing the surrender of those lands Lost by his father. Claudius further remarks that he has written to Norway, uncle of young Fortinbras, imploring him to restrain the fiery temper of his nephew, and now dispatches two courtiers to the same end.
Only by weakly supplicating Norway is Claudius able to keep peace with his neighbor and prevent an invasion. This weakness is in great contrast to the days of the elder Hamlet, when the Danish royal power was feared and respected, both at home and abroad.
The Gift’s “Hamlet” Is a Flawed but Fascinating Production
There is no doubt that Claudius was a thoroughly bad man. If like Hamlet we cannot prove it at the opening of the play, we need only wait for the later developments and for his villainous attempts on Hamlet's life. Claudius is indeed as much a villain as Macbeth, and with little or nothing of Macbeth's great ability.
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The ghost speaks of him as one "whose natural gifts were poor to those of mine! And Hamlet, comparing him to his father in his later interview with his mother, calls him: Yet Claudius, though a villain, was capable of quick and effective action.
He was clever enough to leave no traces of his crime when he killed his brother, and he showed dispatch and skill in quickly bringing about the election of himself as the next king before Hamlet could return from the university.
This same power of speedy action is his greatest strength, and enables him to make Hamlet's task at once exceedingly difficult and dangerous. Gradually there is disclosed in the play considerable evidence of a general corruption and weakening of the state under the example and influence of Claudius. Hamlet is conscious of it on his return from the university, and the king readily admits his dissipations.
No doubt Hamlet's sad words about the condition of the world in his first soliloquy are spoken more with reference to Denmark: The king had led the way in dissipation and debauchery, and in his first interview with Hamlet promises elaborate festivities I. In the same scene Hamlet refers to these habits, and satirically tells his friend Horatio: In his next conversation with Horatio, Hamlet again speaks of the king's drinking habits, and says: Keeps wassail, and the swaggering up-spring reels; And as he drains his draughts of Rhenish down.
The kettle-drum and trumpet thus bray out The triumph of his pledge. When Horatio asks if this is a Danish custom, Hamlet replies that "it is a custom More honor'd in the breach than the observance.