The Tempest – Ariel, Prospero and Caliban – a very wonky triangle - Blogging Shakespeare
Prospero enslaves Caliban and keeps him subjugated by the use of magic to One can analyse and complicate the relationship between them all in a . of forgiveness causes them to see Prospero's and Miranda's Selves. _____ 6. Ferdinand and Miranda's love helps heal the rift between Prospero and In addition, his earlier foolishness has caused suffering. This theme develops mainly in connection with Miranda, Ferdinand, and Caliban. In retaliation he taunts Prospero and Miranda for teaching him their Prospero and Caliban's relationship is that of a slave and a master. power, magic and treachery but 'the seriousness is never allowed to cause disquiet in the audience' .
The spirits sing blessings, while nymphs and reapers dance in the background. Suddenly, Prospero interrupts the celebration — announcing that he has just had visions of the plot to overthrow him by Caliban and his cohorts. The men are angry with Caliban who continues to urge them to murder Prospero.
At the end of the scene, spirits in the form of dogs arrive and begin to attack them. Prospero comes to the realization that his plan is falling into place in Act V, Scene I. Each of his enemies have all gathered. Ariel argues that the men are sorrowful, stating that it would be in human nature to take pity on the men. This causes Prospero to change his viewpoint, he decides to offer his mercy.
Ariel releases the men, while Prospero uses his magical ability to create soothing music to calm the spirits of those who conspire against him. When the trio of men arrives, Prospero welcomes them and informs them of his knowledge of their crimes.
This causes Alonso to beg for forgiveness and, when conversing about life, discloses that he is deeply troubled by the death of his son. In a show of solidarity, Prospero announces that he has also lost a child — his daughter. He then asks the men to glance into his home, where they see Miranda and Ferdinand happily playing chess.
Ariel guides the sailors inside, who announce that the ship has been found and is in good repair. Caliban and his two human conspirators are led in, still entangled in their stolen goods. Caliban expresses a change of heart, accepting that Prospero is a true leader — unlike the drunkard Stephano.
He reaffirms his pledge to serve Prospero. They are promised a safe journey home. Prospero, along with his daughter, Miranda, have lived for twelve years on an island inhabited by them and a group of spirits. Prospero has become the powerful leader and master of the sprit, Ariel, and the creature, Caliban.
Prospero controls nearly every being on the island. He has even exercised control over his own daughter. Prospero expects those around him to be fully devoted to him. And, while domineering, he is a forgiving man. At the end of the play, he shows mercy to those of have wronged him. Grateful for having been rescued, Ariel serves Prospero, relying on magic to carry out his wishes.
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However, Ariel longs for true freedom, which Prospero continues to promise him. Caliban The unwilling slave of Prospero, Caliban was the son of Sycorax and the true ruler of the island. Caliban feels strongly that he should have control of the land. When Prospero originally settled on the island, Caliban offered him friendship. However, Prospero was never able to see him as more than a savage beast. Caliban deeply desires taking the island back from Prospero.
In several ways, Caliban is a symbol for the native inhabitants of lands explored by Europeans. Shakespeare, through Caliban and the relationship with Prospero, explores the theme of early colonization. Miranda The daughter of Prospero, Miranda is the unknowing princess of Milan. Knowing very little about her history, Prospero educates her in scene two. Miranda appears to be compassionate and loyal to her father. Her only display of negativity is directed towards Caliban, who attempted to sexually assault her.
Having been kept away from all other humans except her father, Miranda is enamoured when she encounters other humans, she immediately falls in love with Ferdinand.
He once enacted a plan to overthrow Prospero and later conspires with Sebastian to overthrow Alonso. Antonio has a thirst for power, he is incapable of showing remorse for his wrongdoings.
Prospero | Shakespeare II
Gonzalo The once trusted advisor of Alonso, Gonzalo played an integral part in the kidnapping of Prospero and Miranda. Gonzalo, by nature, is kind and made arrangements for the duo to have provisions and a chance to survive their exile. Gonzalo is often ridiculed for his overly positive demeanour.
Ferdinand Ferdinand is the son of Alonso. Throughout the play, he shows expressions of his love for Miranda and later they agree to marry. It is this union that helps to reconcile the rift between Prospero of Milan and Alonso of Naples. Ferdinand is described as loyal, kind and compassionate.
Sebastian The brother of Alonso. Sabastian conspires with Antonio to attempt to kill his brother and take his place as king. Stephano Stephano is the butler of Alonso. He spends the entirety of the play drunk. Caliban briefly vows to serve Stephano when he becomes intoxicated on wine and mistakes him for a god.
Themes of the Book The Tempest explores several different themes, the most prevalent being loss and restoration, power, magic and illusion, and colonization. The red plague rid you for learning me your language!
Prospero proclaims that he once viewed Caliban as a friend — until he harmed his daughter. Some kinds of baseness are nobly undergone, and most poor matters point to rich ends. The Tempest is deeply rooted in balance and compromise. Prospero had spent twelve long years on the island so that he could regain his rightful rule.
Alonso had to lose his son so that he could be forgiven for his crimes. Ariel had to serve Prospero in order to receive his freedom. Ferdinand had to suffer the wrath of Prospero in order to win the heart of Miranda.
William Shakespeare’s The Tempest
What I shall die to want. But this is trifling, and all the more it seeks to hide itself, the bigger bulk it shows. Prospero has cared for Ariel, and even promised him liberty after just one year of service. Prospero has essentially a sort of quid-pro-quo, indenture servitude, type of arrangement with Ariel. Caliban, it turns out, once roamed this island in his lonesome, and was essentially its master.
Caliban ruled his roost and then Prospero shows up and takes it all away from him, and to top it all off, forces him into a life of servitude. Caliban goes from being lord of his own domain, to the lowest of the low — a base servant.
Caliban and Prospero initially had a symbiotic relationship: Prospero taught Caliban a language, and gave him berries, and educated him on the seasons and times of day, and in turn Caliban showed Prospero around the island — where the springs were, and which lands were fertile, and which not.
Caliban attempted to rape Miranda, and Prospero sought justice by consigning him to a life of servitude. So Prospero seems to have done a lot of villainous things, but with each villainous behavior, he has some justification.
This does not make him a good person — a good person need not justify their actions, most of the time, but it makes his villainy a bit less base and a bit more interesting.
The morality of his actions seem to be a bit more gray than would seem initially obvious. As a side note, I wonder if those books which were more important to Prospero than his Dukedom were tomes of dark spells and magic. Essentially, Prospero has done a lot of evil, but he seems to have a justification for each thing. This makes him a morally grey villain.